karya ka- koordinator

perliminary
Kraton is a historic place as a symbol of passion, struggle, and sacrifice, which in every construction has a unique philosophy and deep meaning as good example so it can serve as a guideline life for its citizens, but often times the residents of Yogyakarta at this time not quite understand for what their ancestors leave the kraton and philosophies that became extinct and forgotten so replaced by currents of globalization are becoming more and more its adherents to abandon their customs and to replace them with progress of time, whereas with the times These more advanced communities were more in need of life to face the growing competition growing old blindly, these guidelines include philosophy ancestors found in the palace of Yogyakarta.



















Kraton Yogyakarta
Keraton or Kraton (Java language) is the region where a ruler (king or queen) to order or place of residence (palace). In everyday terms, often referring to the palace of the ruler's palace in Java. In the Java language, the palace said the queen foundation comes from the word which means ruler. Javanese word queen allied with the word in Malay; progenitor / datu. Palace Society in general has a title of nobility.
Located in the middle of the main axis stretching from north to south, and the secondary axis from east to west. Surrounded by mountain ranges called the horizon as the edge of the universe.
It lies between the northern boundary and the monument as Stage Krapyak the south border, between Code River in the east and west Winongo River. Between Mount Merapi and the South Sea, Palace in the mind of the Javanese society, defined as the center of the world which is described as the center of the universe.

History of Kraton Yogyakarta
After the Treaty Giyanti, Prince Mangkubumi given region of Yogyakarta. To run his reign, Prince Mangkubumi build a palace in 1755 in the Forest Beringan. This land was considered quite good because flanked by two rivers that protect it from possible flooding. The first king in the Sultanate of Yogyakarta is the title of Prince Mangkubumi lane I (HB I).

Kraton Philosophy
Sultan's Palace as the embryo of the city of Yogyakarta was founded by RM Sujono who bear the title Prince Mangkubumi who later became king with the title Sri Sultan Hamungkubuwono I in 1756 or in Java, 1682. This development marked by Memet condrosengkolo at the gate and the gate Kemangangan Mlati Building, in the form of two dragon tails berlilitan each other. In the Java language "Dwi Naga single taste." This means Dwi = 2, dragon = 8, flavor = 6, single = 1. Read from the back to 1682.

The choice of location for the building of this Palace is set at the suggestion of a trusted pekatik as haisl observations, that the location was a gathering place for birds egrets and blekok. Palace complex is located in the middle between the stretch of river and river Winanga Code., In the forest near the village banyan Garjitawati and Pacetokan village. Imaginernya axis is:
1. Krapyak is a picture of the origin of the spirits. In the village located north Mijen, derived from the word Wiji (seed), go straight to the north, the kana is now decorated trees and Cape Asem, depicting the life of the child who is straight, free from grief and anxiety, apparently nengsemaken and always praised .
2. Plengkung Nirbaya (Plengkung d'Ivoire). This Plengkung portray the boy stepped from childhood to pre-puberty. Where nature still nengsemaken (tamarind tree) and has put forward like to decorate themselves (nata sinom). Sinom an acid leaves the young.
3. South plaza. Here there are two banyan tree called Wok. Wok is derived from the sideboards. Two banyan tree in the middle of the square gradually illustrates a portion of the most secret agency, therefore it is given a stone fence. The number two man show, while his name symbolizes women Supiturang. Around the square there are five roads that are united with each other, addressing the five senses. Sandy soil means not regular, off one another. What has not been regularly captured by the five senses, the circumference of the square planted with trees and pakel Kweni means the child has wani (brave because they sense their daughters)
4. Sitihinggil, the literal meaning of the elevated tanga. Here there is a resting place tratag roofed wicker or bamboo. Kanak Gayam tree grows left with the leaves that shade sertya very fragrant flowers. Anyone who take shelter under this tratag will feel safe, peaceful and happy happy. Describing the feeling of young people who are dirindu romance.
Another concept with the same essence conveyed by KRT Puspodiningrat (Puspodiningrat, 84; 4) that there are two buildings Sitihinggil to guard courtiers Gandheg = link = penggandeng. First name slave (servant) is Duto and Jiwo, with a view Andudut Soul = soul drawn together between male and female fire romance.
5. Kemandungan pages, describes the seed in the womb of the mother.
6. Regol Gadung Mlati until kemanggangan is a narrow road and then widens and brightly lit. An Anatomical description of the birth of a baby. Here the baby then intern (kemagangan) into human potential in the real sense.
7. Mangun-Ward Tur-Tangkil, a small ward located ditratag Sitihinggil, so a ward in the ward who mempunyuai meaning that in our bodies (wadag) no spirit or soul. Manguntur Tangkil means a high place for anangkil, which overlooks the Great God by means of silence or samadi.
On the back there is a ward in another ward, called wards Witono, which mean Wiwit ono (start), is the beginning of human spiritual activity closer to God.

8. Tarub Hagung, a building that has 4 height of the pillar iron pole that has a square shape. The meaning of this building iadalah: who is fond of contemplation, prostrate to God the Almighty, are always in majesty.
9. Performances, which comes from the word Pagel = pagol = pager = boundary and Aran = name. Where is the drop of human differences, both men and women, especially in the presence of God. So that all circles in the palace that use the same language is the language that changed the karma inggil, called bagongan language.
10. North plaza (lor) nglangut ambiance, the atmosphere without the edge, our mood in contemplation. Tree beringindi central plaza will describe the atmosphere as if we are separated from ourselves. Microcosm in the macrocosm are united. Simpang four in the north showed temptation in contemplation. Do we choose the straight path (Siratal mustaqim) or deviate from side to side.
11. Beringhardjo Market, the center of temptation when we take the straight road would be tempting beautiful woman, good food and luxury goods.
12. Kepatihan, the symbol of temptation will position or rank.
13. Leads us to a monument, a symbol of the Alif Mutakaliman Wachid, lan gusti Kawulo unity, unity and God's servant. Manunggaling Kawulo lan gusti in conceptional can be discussed in manunggaling Kawulo Gustavo (PJ Zoetmulder, 1990)














Closing
Yogyakarta Sultan Palace is unique and interesting to be learned, in terms of architecture to philosophy contained in it, it is very unfortunate if it is forgotten and the disappeared, as the successor of our nation should guard those relics of our ancestors, do not need to treat the matter would but suffice to understand and learn from Yogyakarta palace who has long owned the city as a symbol of prosperity and eternal glory, which remains robust despite having to compete with globalization